CD review: 'In Light of Dark Days' - Queen Of The Moshpit

The Crawling came crawling from Northern Ireland and they just released this 3-track-EP as first listenable vital sign – one year after their first live show ever. Slow Death Metal, that’s what they call this style and “they” means three gentlemen who are well-known for decades in the local underground scene for playing somewhat faster tunes. The collaboration with Grindscene Records didn’t come by chance.

I love Death Metal and I love slow music but Slow Death Metal as played by The Crawling is kind of half-assed. Neither has it the melancholic beauty of My Dying Bride, nor is it a huge juggernaut like a slower Bolt Thrower (as Panzerkreuzer is). “The Right to Crawl” is nice as long as they do not step on the gas (the fast parts are just boring) – it started very promising, though. „End Of The Rope“ coils round a single riff and there are some enjoyable mid-tempo banger parts but it doesn’t sparkle either. “Catatonic”, on the other hand, is marvelous. Finally it’s getting really slow, abysmal and hypnotic, even that double bass part can’t discompose the catatonic feeling. These 8 1/2 of almost 20 minutes total running time are truly delightful and I really hope, this is the direction The Crawling will go in the future.

6.5/10

First published in German on Zephyr’s Odem. And it seems like the boss was a bit confused: this record was reviewed earlier by another lady of the team and she rated it 9/10)

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CD review: 'Anatomy Of Loss' - Worship Metal

Anatomy of Loss is the debut full-length from The Crawling, a trio of death/doomers hailing from Lisburn, Northern Ireland. The melancholy stylings of classic Paradise Lost are strong influences here, so you should have a good idea of what to expect. There isn’t anything groundbreaking about Anatomy of a Loss, but lyrics, tone, and instrumentation all come together to create a solid expression of mourning as expressed in the album’s title and the “dedicated to” section of the liner notes. Guitarist Andy Clarke does a good job of blending tremolo death riffs, single-note doom riffs, and dissonant chord progressions, making for songs that are varied enough to stay interesting without losing the depressing, bleak edge that is the album’s theme. “All Our Failings” and a few other sections get a bit groovy, which throws off the downcast vibe a bit, and there are a few transitions that are slightly jarring, but highlights like “An Immaculate Deception” and a re-recorded version of “Th

CD review: 'In Light of Dark Days' - Lords of Metal

Marcel H. : Yes, I know. I am a sucker for death doom and then especially for the kind that has some real death metal in it and not that gothic stuff.. So, hell yeah, I am listening to The Crawling’s ‘In Light Of Dark Days’ EP with a huge grin from ear to ear. Drummer Gary Beattie some of you might know from his drumming in Zombified and it’s especially he who puts the death metal into The Crawling. For death doom this EP is short with its three songs which clock in at a total of a little over nineteen minutes. The longest song is just over eight minutes. An advantage is that the listener will be fully focussed from start to finish. Don’t expect any innovation but just well-executed death doom which makes it clear where these gentlemen got their inspiration from. Lords of Metal

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