Skip to main content

LIVE review: Voodoo - 06/01/2017 - Uber Rock

PHOTO CREDIT: © Darren McVeigh/Uber Rock.

... A quick trip to the bogs and the bar, in that order, fills the changeover time before headliners The Crawling create a mood darker than the venue’s black-painted walls but joyous enough to welcome the sunshine of the next morning’s mid-winter dawn a few hours early.

Mainland readers might be familiar with the band’s name from their absolutely crushing set on the New Blood stage at last summer’s Bloodstock (funny how the Irish bands, from both sides of the border, absolutely destroyed every other act on the bill that weekend). For those unfamiliar with them, however, this dark destructive force deliver doom-infused deathly riffs heavy enough to wake the slumbering giant on the hill which overlooks the city, coupled with huge, gristly, throbbing rhythms with loads of fat on them, coupled with gnarly, growling harmonies driven by behemothic blastbeats that at times defy the laws of physics in their psychotic speed combined with practised precision.

The result is huge, dynamic soundscapes which belie the intimacy of both the venue and the occasion and, as referenced above, are equally as capable of decimating massive festival stages as they are tiny clubs. It’s loud, it’s aggressive, it’s don’t-give-a-fuck pure metal noise. It’s beautiful, in a purely dark and dank way.

The trio are one of the tightest bands I have ever seen, not just here in Northern Ireland but anywhere, and serve up the perfect start to another year of intense gigging. Bring it on 2017, you big, beautiful, bad ass bitch!

Mark Asby

Comments

Popular posts from this blog

CD review: 'Anatomy Of Loss' - Worship Metal

Anatomy of Loss is the debut full-length from The Crawling, a trio of death/doomers hailing from Lisburn, Northern Ireland. The melancholy stylings of classic Paradise Lost are strong influences here, so you should have a good idea of what to expect. There isn’t anything groundbreaking about Anatomy of a Loss, but lyrics, tone, and instrumentation all come together to create a solid expression of mourning as expressed in the album’s title and the “dedicated to” section of the liner notes. Guitarist Andy Clarke does a good job of blending tremolo death riffs, single-note doom riffs, and dissonant chord progressions, making for songs that are varied enough to stay interesting without losing the depressing, bleak edge that is the album’s theme.  “All Our Failings” and a few other sections get a bit groovy, which throws off the downcast vibe a bit, and there are a few transitions that are slightly jarring, but highlights like “An Immaculate Deception” and a re-recorded version of “Th

CD review: 'In Light of Dark Days' - Lords of Metal

Marcel H. : Yes, I know. I am a sucker for death doom and then especially for the kind that has some real death metal in it and not that gothic stuff.. So, hell yeah, I am listening to The Crawling’s ‘In Light Of Dark Days’ EP with a huge grin from ear to ear.  Drummer Gary Beattie some of you might know from his drumming in Zombified and it’s especially he who puts the death metal into The Crawling. For death doom this EP is short with its three songs which clock in at a total of a little over nineteen minutes. The longest song is just over eight minutes. An advantage is that the listener will be fully focussed from start to finish. Don’t expect any innovation but just well-executed death doom which makes it clear where these gentlemen got their inspiration from. Lords of Metal

Online Store now live!

Our new online store is now live! You can purchase all our t-shirts and CD's direct using paypal or credit/debit card. Buy with confidence! Click here